Archaeological Institute of America - New York Society


Rita P. Wright, President | James H. Sibal, Program Producer

"DUAL PASSIONS: Archaeology and Filmmaking"

March 31, 2007, Cantor Film Center N.Y.U., 36 East 8th Street, NYC

Open Complete Program or Open Program Credits
Sponsored by:
New York Council for the Humanities, a State Affiliate of the NEH
NYU Anthropology Undergraduate Student Assoc. and NYU Center for Ancient Studies and
The Governing Board of the AIA New York Society

NEW YORK SOCIETY INAUGURATES PROGRAM ON ARCHAEOLOGY AND THE SCREEN MEDIA

On March 31st, 2007, the New York Society successfully launched its first film program, Dual Passions: Archaeology and Filmmaking. The visual conceptualization of the project and event is captured by the striking poster and logo created by Steve Bracy. The day-long event focused on a dialog between archaeologists and documentary film makers. Two films and clips from three others were featured. Producers of each of the films provided commentary on their motivations, approaches and intended audiences. The program was free to all students and at nominal cost to adults.
The two full-length films were Queen of the Mountain by Martha Goell Lubell, an independent film maker and Mr. Mummy produced by Amy Wray. The first film chronicled the biography of Tessie Goell, the first modern excavator at Nimrud Dagh. The film’s depiction of Goell’s passion and obsession excited the imagination of anyone who has ever dreamed of excavating. Mr. Mummy, a replication of Egyptian mummification, offered intriguing insights into the mechanics of ancient mortuary techniques. Bob Brier, a major spokesman for the study of mummies, conveyed his enthusiasm, taking a lead role in this, his first film. Both Lubell and Wray provided insightful commentaries on their films.
Films shown in part included Taypi Kala: Six Visions of Tiwanaku by Jeff Himpele; Nubia: The Forgotten Kingdom and Lost Warriors of the Clouds, Amy Bucher. The audience was thrilled to learn what motivated these documentary film makers to choose their subjects and to target specific audiences.
Two other participants contributed to the success of the event. Ronn Wade, the anatomy consultant for Mr. Mummy, treated the audience to the best kept secrets of Egyptian embalmers. Using body parts to illustrate his talk, he revealed the intricacies of preserving mortal remains. Peter Herdrich, an AIA Trustee and Senior Producer of TV’s Inside Edition, moderated the entire event. An end-of-the-day panel discussion allowed him to bring his diplomatic skills as an emcee to bear.
The program was held at the Cantor Film Center at NYU, a state of the art center for cinematography, and was attended by over a hundred people from a broad spectrum. This attendance furthered the goals of the project to encourage an awareness of archaeology among a larger segment of the population in order to recruit new members to the Society. In addition to membership brochures, other information was provided including access to web sites, available scholarships and field work opportunities. A special table was staffed by the executive board and students for this purpose.
The program captured the interest of both academic and lay sponsors. They included New York University, College of Arts and Science; the NYU Anthropology Undergraduate Student Association and its Center for Ancient Studies. Other important sponsors were the New York Council for the Humanities and the Executive Board of the New York Society. Jim Sibal chaired the event; committee members included Karen Rubinson, Marissa Schlesinger, Linda Roccos, Jeff Lamia, Whitney Keen, Larissa Bonfante and Rita Wright.

Posted by Rita Wright and Jim Sibal, May 2007
Please send comments/corrections/additions to: Linda Roccos
Roccos@mail.csi.cuny.edu