Popular Culture and Mass Society
Frontiers and Borderlands

AMS 241-3811 Professor Catherine Lavender
Spring 2000 Office: 2N 203, 718-982-2869
Monday/Wednesday 3:35-5:30 pm, 2N 102 Office hours: M/W 1:15-3:15
and by appointment

Purpose of the Course:
This course explores American popular culture and society, with a special emphasis on the interdisciplinary study of genre in American popular culture. In this course, we will address a broad variety of genres of popular culture: fiction, non-fiction, memoir, film, art, advertising, music, and various mass media. This course will also develop students' understanding of the relationship between Popular Culture Studies and American Studies, and the development of both Popular Culture Studies and American Studies as fields of inquiry and scholarship. In this semester's course, we will use one theme in popular culture in order to address various genres of culture; that theme will be "Frontiers and Borderlands." For an animated short film which will get you thinking about the place of "The Western" in Popular Culture, watch "Los Gringos" on the MediaTrip site.

Course Requirements:
All students are required to attend lectures and take part in discussions. Exams will require students to synthesize lecture materials as well as readings. Students must also read and assimilate required readings, and be prepared to discuss readings on the schedule given below. Students will submit all assignments on time; late papers will not be accepted without prior arrangement with the professor. Further, no student with more than four unexcused absences will receive a passing grade for the course.

A Note About Academic Integrity: Integrity is fundamental to the academic enterprise. It is violated by acts such as borrowing or purchasing term papers, essays, reports, and other written assignments; using concealed notes or crib sheets during examinations; copying others' work and submitting it as one's own; and misappropriating the knowledge of others. The sources from which one derives one's ideas, statements, terms, and data must be fully and specifically acknowledged in the appropriate form; failure to do so, intentionally or unintentionally, constitutes plagiarism. Violations of academic integrity may result in failure in the course and in disciplinary actions with penalties such as suspension or dismissal from the College.

Contacting the Professor: My office is in 2N 203, and my office phone is 718-982-2869; I have office hours Mondays and Wednesdays from 1:15 to 3:15 and by appointment. You may also reach me via email at lavender@postbox.csi.cuny.edu. Finally, materials for the course, such as handouts, will usually be stored electronically for your reference at the course website, at http://www.library.csi.cuny.edu/dept/americanstudies/lavender/241.html

Assignments:
First Midterm Exam (Monday, March 20): 30% of Final Course Grade (Study Guide)
Second Midterm/Final Exam (Wednesday, May 31): 30% of Final Course Grade
Popular Culture Project (Monday, April 17): 20% of Final Course Grade
Participation (attendance, quiz grades, discussion contribution): 20% of Final Course Grade

Required Texts:
Frederick Jackson Turner, "The Significance of the Frontier in American History" (1893)--Questions to Consider

John Ford, Stagecoach (1939)--Questions to Consider

John Ford, The Searchers (1956)--Questions to Consider

Richard Slotkin, "The Significance of the Frontier Myth in American History," from Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (1992)

James Fenimore Cooper, selections from The Last of the Mohicans (1826)--Questions to Consider

Lydia Maria Child, selections from Hobomok (1824)--Questions to Consider

Zitkala-Sa [aka Gertrude Simmons Bonnin], selections from "Impressions of an Indian Childhood" (1900)--Questions to Consider

Philip Deloria, Playing Indian (1999)*--Questions to Consider

Mark Twain, "The Notorious Jumping Frog of Calaveras County" (1865/1875) and "Fenimore Cooper's Literary Offenses" (1895), in Humorous Stories and Sketches*; and selections from Roughing It (1891)--Questions to Consider

Bret Harte, selections from "The Luck of Roaring Camp" and Other Short Stories (1870)*--Questions to Consider

Mary Austin, selections from Land of Little Rain (1903)*--Questions to Consider

Peter Guralnick, Searching for Robert Johnson (1989)*--Questions to Consider

John Steinbeck, The Harvest Gypsies (1936)* and selections from The Grapes of Wrath (1939)--Questions to Consider

John Ford, The Grapes of Wrath (1940)--Questions to Consider

Preston Sturges, Sullivan's Travels (1941)--Questions to Consider

Ray Bradbury, The Martian Chronicles (1950)*--Questions to Consider

Johnathan Wacks, Powwow Highway (1989)--Questions to Consider

Norman Maclean, A River Runs Through It and Other Stories (1976)*--Questions to Consider

*Starred items are available for purchase at the New York Book Exchange on Victory Boulevard

There are additional optional materials for this course on the WWW at http://www.library.csi.cuny.edu/dept/americanstudies/lavender/241.html

Course Schedule:

Week One: Introduction
Monday, January 31 Introduction to the Course
Wednesday, February 2 What is Popular Culture? What makes it "popular"?
Readings: Turner, "The Significance of the Frontier"
Week Two: The Frontier in Popular Culture
Monday, February 7 Frontier Iconography and Images; discuss Turner, "The Significance of the Frontier"
Wednesday, February 9 Frontier Iconography and "The Western"
Readings: Turner, "The Significance of the Frontier"; Elements of a Monograph
Week Three: The Western Film as Genre
Monday, February 14 John Ford, Stagecoach--Questions to Consider
Wednesday, February 16 John Ford, The Searchers--Questions to Consider
Readings: Slotkin, "The Significance of the Frontier Myth in American History"
Week Four: The Western Film as Genre, cont.
Monday, February 21 CSI Closed--No Classes
Wednesday, February 23 John Ford, The Searchers, cont.--Questions to Consider
Readings: Cooper, selections; Child, selections; Zitkala Sa, selections
Writing: Informal Essay # 1, Due Monday, 28 February
Week Five: Popular Culture Media
Monday, February 28 Discuss the Western as Film Genre
Wednesday, March 1 Modes of Popular Culture Media Discussion
Readings: Cooper, selections; Child, selections; Sa, selections.
Writing: Informal Essay # 2, Due Monday, 6 March
Week Six: Native Americans and The Frontier; The Frontier "Type"
Monday, March 6 Discuss Cooper, Child, and Sa (Discussion Questions)
Wednesday, March 8 The Cowboy; discuss Harte (Discussion Questions)
Readings: Harte, selections ("The Luck of Roaring Camp," "The Outcasts of Poker Flat," and "Tennessee's Partner"); Twain, "The Notorious Jumping Frog of Calaveras County," "Fenimore Cooper's Literary Offences", and selections from Roughing It
Week Seven: The Frontier "Type," cont.
Monday, March 13 The Raconteur; discuss Twain (Discussion Questions)
Wednesday, March 15 Review for First Midterm
Readings: Twain, "The Notorious Jumping Frog of Calaveras County," "Fenimore Cooper's Literary Offences", and selections from Roughing It
Writing: Informal Essay # 3, Due Wednesday, 22 March
Week Eight: FIRST MIDTERM
Monday, March 20 First Midterm Exam
Wednesday, March 22 The Frontier Through a Modern Lens; Discuss Deloria, Playing Indian
Readings: Review for Midterm Exam; Deloria, Playing Indian
Week Nine: Borderlands and Crossroads
Monday, March 27 The Borderlands and the Desert; Discuss Austin, Land of Little Rain
Wednesday, March 29 The Blues and The Crossroads; Discuss Guralnick, Searching for Robert Johnson
Readings: Austin, selections from Land of Little Rain; Guralnick, Searching for Robert Johnson
Writing: Informal Essay # 4, Due Wednesday, 5 April
Week Ten: Depression Frontiers and Borders of Class
Monday, April 3 The Depression West
Wednesday, April 5 Steinbeck and The Depression West
Readings: Steinbeck, The Harvest Gypsies and selections from The Grapes of Wrath
Week Eleven: Making the Depression Popular
Monday, April 10 View Ford, The Grapes of Wrath in class
Wednesday, April 12 View Sturges, Sullivan's Travels in class
Readings: Steinbeck, The Harvest Gypsies and selections from The Grapes of Wrath
Writing: Informal Essay # 5, Due Monday, 17 April
Week Twelve: Popular Culture Project
Monday, April 17 Discuss Steinbeck, Ford, and Sturges
Wednesday, April 19 Spring Break, April 19-28
Readings: Work on Popular Culture Project.
Writing: Informal Essay # 6, Due Wednesday, 3 May
Week Thirteen: "Space ... The Final Frontier" (or is it really a Borderland?)
Monday, May 1 The Frontier Metaphor and America Visions of Space; Popular Culture Project Due
Wednesday, May 3 Discuss Bradbury, The Martian Chronicles
Readings: Bradbury, The Martian Chronicles
Week Fourteen: Redefining the "Savages"
Monday, May 8 View Wacks, Powwow Highway in Class
Wednesday, May 10 Discuss Wacks, Powwow Highway
Maclean, A River Runs Through It and Other Stories
Writing: Informal Essay # 7, Due Monday, 15 May
Week Fifteen: Beyond the Frontier to a Sense of Place
Monday, May 15 The New Western Literature; discuss Maclean, A River Runs Through It and Other Stories
Wednesday, May 17 Summing Up; Review for Second Midterm
Readings: Maclean, A River Runs Through It and Other Stories
Finals Week: Final Exam (Second Midterm/Final)
Wednesday, May 31 Second Midterm/Final
Prepared by Professor Catherine Lavender for AMS 241 (Popular Culture--Frontiers and Borderlands), The Program in American Studies, The College of Staten Island of The City University of New York. Send email to lavender@postbox.csi.cuny.edu
Last modified: Wednesday 5 April 2000.